It is mainly used to reduce the number of objects created to reduce memory footprint and improve performance. This type of design pattern belongs to structural pattern, which provides a way to reduce the number of objects and thus improve the object structure required by application.
转头见徐文长领着一名女子折返，梁振眉色微微一皱，抬手唤徐文长过来。
不过红椒，娘不是跟你说过么，这世上的人是各色各样的。
The same is true for configuring CLASSPATH variables, but the format is very important and there must be.;
II. Handling Methods
这计划是把全日本国民的个人情报、全国的监控镜头、电邮及电话的通讯资料等收集成为大数据，再配合过去15年的犯罪资料，以人工智能及统计学进行分析，找出很有可能将会犯上杀人罪的高度危险人物。为了把“未犯系统”实用化，资料课就要利用这些危险人物的资料，出动进行潜入搜查，了解目标何时何地为何会杀谁，从而阻止案件发生。所以表面上的资料课，实际是叫做“未犯”的全新刑侦系统。
但自古民不与官斗，就算咱们告了，这些刑法也只会落到胡镇的奴仆身上。
Which chains can use the rules in the raw table: PREROUTING, OUTPUT
Among them, the ROM suitable for Junior Street Fighter 3 has been searched for a long time. Here, I'd like to share it with you.
We can see the above code; Player-to-player coupling code has been removed, However, all logical operations are put into the intermediary object for processing. Any operation of a certain player does not need to traverse to notify other players, but only needs to send a message to the intermediary. The intermediary processes the message after receiving it, and after processing the message, the processing result will be fed back to other player objects. The intermediary mode is used to remove the coupling code between objects. Make the program more flexible.
一边端出饭菜来，让白果在一旁应答，她自退下了。
黄胖子跪在地上一时半会儿起不来，只冲里面的小妾吩咐道：翠凤。
在这个新的迭代和新的世界里，杠杆团队看到了富人和有权势的人继续随心所欲，毫无后果。骗子索菲·德弗雷奥（吉娜·贝尔曼饰）、小偷帕克（贝丝·里斯格拉夫饰）、打手艾略特·斯宾塞（克里斯蒂安·凯恩饰）和黑客亚历克·哈迪森（奥尔迪斯·霍奇饰）在过去八年里目睹了世界的变化，富人变得更富有，而有权的人却要对付那些妨碍他们的人，这变得更容易了，有时甚至是合法的。
为此范文轩自己轻松了不少。
三顺，我可先说好了，我可没把闺女许你们家的意思哩。
18. Command Mode
周浩要帮着徐彤出气，获得徐家的好感和人情，同时也对这个敢于轻视周家的年轻人很是愤怒了，因此想要出手教训。
淙在一次围捕通缉犯行动中，连累一同僚中弹殉职。淙内疚，迳自调离O记，泰亦因此感到若有所失。后O记部队与黑帮进行大火拼，爆发前淙被召回部队，与冤家拍档泰再度携手对抗黑势力。
7. Within 9 years after the effective date of these Rules, the requirements for sound signal instruments stipulated in Appendix 3 to these Rules shall be exempted.
However, although this book is co-written, the story it tells is only the story of one of us (Eriksson), who has been studying outstanding figures with great concentration since he grew up. Therefore, we chose to write this book from his perspective. The person "I" appearing in the book should refer to him. However, this book is the crystallization of our joint efforts to describe this very important topic and its meaning.
