Code as above; Write three functions of order500, order200 and orderNormal respectively, and process their own business logic in the functions respectively. If their own functions cannot be processed, they will return the string nextSuccessor to pass it back, then encapsulate the constructor Chain, pass an object fn into it, and have their own attribute Successor. There are two methods setNextSuccessor and passRequest on the prototype. The method setNextSuccessor specifies the order of nodes in the responsibility chain, and saves the corresponding method to the attribute this.Successor, chainOrder500. SetNextSuccessor (chainOrder200); ChainOrder200. SetNextSuccessor (chainOrderNormal); Specifies the order in the chain, so this.Successor references the order200 method and the orderNormal method, so if chainOrder500.passRequest (1, true, 500) is called for the first time, the order500 method is called, output directly, and chainOrder500.passRequ is called for the second time.
《我的城》是一部记录城市凡人生活碎片,镜头下充满“凡人语录”的系列纪录片,也是中国少有的现实题材城市纪录片。首批拍摄了五座城市:北京、上海、成都、深圳和银川,描绘的是城市人特殊的“乡土情”。本片那些被纪录者,无论是北京篇里爱骑自行车的小伙,还是上海篇里卖啤酒的阿姨,或是成都篇里“二次元”装扮的小姐妹,或是深圳篇里大芬村(城中村)里的小画师,或是银川篇里卖羊杂的小老板,他们都是城市社会里人微言轻的小角色,所以他们脑海里没有城市定位、没有品牌宣传,有的只有活生生的现实:怎么活出自己的个性,活出味道来。一些生活碎片、闲谈碎语、生活片断,不经意间构成了城市的性格和精神、流露出对城市的理解与质疑。
天后沈心语阔别三年,推出新歌《笑红尘》,回归大众视线。
相公,说老实话,我觉得能卖20只回本就好了。
陈启发现关于花无缺的帖子竟然出乎意外得多。
小七听了一愣,刚才都是大人使唤他,眼下一个跟自己差不多大的娃儿让他拿东西,他就犹豫了,不知该不该听话行事。
1986年摄制的36集连续剧。描写伪满洲国“皇帝”爱新觉罗·溥仪的武师兼保镖霍殿阁的生平事迹。片尾曲是范琳琳唱的“不要逼我说话”---不要逼我说话,心中只有一个他,清清一口水,心中只有他的影……,主题歌是“情哥哥心思猜不透”---红萝卜的胳膊白萝卜的腿儿,花芯儿芯儿的脸旁,红嘟嘟的嘴儿,妹妹和情哥一对儿对儿,刀压在脖子上也不悔……
In 1968 the young Rick travelled down the Pacific Coast Highway to the Mexican border and beyond. 50 years later he retraces his steps from San Francisco to Mexico enjoying unique dishes and meeting chefs.
《大艺术家》第二季,以寻找东方之美为主题,探访8位顶级艺术家,包括摄影艺术家荒木经惟、蜷川实花,油画艺术家草间弥生,书法艺术家娄正刚,新媒体艺术家宫岛达男、村松亮太郎,设计师畏研武、菲利普·斯塔克。每集20分钟的片长,带观众追溯他们的人生故事与艺术成就,并引发对于当代艺术文化的思考。
Finally, if there are any considerations or mistakes in the article, please leave a message to discuss them. In addition, for the source code, this paper only gives the analysis of the distribution process. The consumption process will no longer be analyzed in detail. To provide an idea, There is a line of comments in the source code analysis in this article. Readers can start here to look at consumption-related codes. Note that this is the dispatchTouchEvent () in the ViewGroup class. Under this line of comments, there will be relevant logic calling the method of dispatchTransformedTouchEvent () (also called to this method by the distribution process). This method will have such code calling the dispatchTouchEvent () in the View, the parent class of the ViewGroup class. Then look at the dispatchTouchEvent () in the View, and you will find that onTouchEvent () is called. At the same time, you will also find some other things, such as the priority of onTouchListener () and onTouchEvent ().
Another form of SYN flooding attack is IP address spoofing. It is a little more complicated than direct attack. Attackers must also be able to replace and regenerate the original IP message with valid IP and TCP message headers. Today, there are many code bases that can help attackers replace and regenerate original IP messages.
《疯狂的麦咭》这档节目不仅考验个人的快速反应能力、体能更考验团队配合默契,在12个密室里闯关的嘉宾总是会遇到不同类型问题的考验。但这个节目与以往其他节目相比,不再表演和诠释别人的精彩,而更加真实的展示原原本本的自己,面对密室刺激的惩罚挑战,展示自己真性情的一面也是《疯狂的麦咭》最大看点之一。《疯狂的麦咭》作为一档明星亲子益智历险闯关节目,在每一个密室都需要回答虚拟主持人“麦咭”提出的各种刁钻古怪的问题,12大关卡在内的密室每一个都包括答题和闯关设置惩罚刺激。
知道重点吧?……何永强又脱了口气。
红椒无法,上前挽住周菡胳膊,亲热地笑道:菡姐姐不用担心,我哥可厉害了。
講述離家多年的大學生夏志薰,在大三暑假回到了睽違七年的故鄉桃園大溪,在過程中逐漸找回遺忘的童年,並逐步解開與家人間的多年心結的故事。
莫菲因为暗恋校草任浩,与转校生林书瑤产生误会,为保住自己在任浩心中的位置,计划把林书瑤打造成不良少女,并与校外街霸团伙“黑天使”产生激烈矛盾,莫菲与林书瑤在相处过程中,逐渐发现彼此身上优点,并忽略了任浩的存在。关键时刻,莫菲为了友情挺身而出,为搭救林书瑤铤而走险。
这是一部很煽情的都市时尚言情剧,本剧借由一个女人从平凡人家嫁入豪门为长媳之后面对的所有问题,揭示出大家族中一段段剪不断、理还乱的恩怨是非。本剧以女主角坎坷的经历讲述了两代间的恩怨情仇、豪门的争权夺利以及曲折的感情发展,而她也同时成为家族内部斗争及商场利益争夺战的关键人物。也就是说,她不仅要处理好家庭内部的所有关系,还要帮助公公、丈夫应对商场上的尔虞我诈,正当所有责任都加诸在她身上时,孩子又不识趣地来报到,此时的她要如何完美地尽到豪门长媳的责任呢?剧中女主角的遭遇,其实也就是全中国媳妇的缩影,借由她在剧中坚忍不拔、耐心和爱心的表现,呈现出中国女性智慧、美德的一面,相信不但可令全中国的女性观众看了感同身受,其中所描述的家庭问题及社会问题,更是发人深省,是一部感人至深、赚人热泪的好戏。
This is the second sub!
I thought this thing was the same as before, Is to rush up and bite people, So we're just shooting with guns, When the distance is close, throw it with a grenade. At the most dangerous time, even mines are thrown out, At that time, the 'round head' anti-infantry mine (still referring to Type 72 anti-infantry mine) had a 'bolt' (i.e. Safety ring) under it. Just pull it out, Throw it out like a grenade, But more powerful than a grenade, As soon as a large area is blown up, But because it is heavier, More than three grenades, Therefore, those with weak throwing ability generally dare not use it like this. Because I'm afraid I can't throw it out of the safe range and blow it up to myself, But fortunately, whatever it is, As long as you want to attack, It must be an attack on the ground, We have a great advantage from a high position. Throwing explosives from high to low can increase the throwing distance, Even if you can't throw it far away, After landing, you can also roll down a little further distance. Therefore, some comrades who throw grenades not far away can also throw mines away from a safe distance to strike the enemy. Then there is the explosive cartridge, The vast majority of people can't throw out three pieces of explosive cartridges in one go like a company commander. And it is too wasteful to throw them all like that, So he threw the explosive cartridges out one by one, When the "big grenade" is used, The reason why I dare to do this and make such "rich" moves is because there are not many others in our positions, that is, grenades, mines and explosive cartridges are plenty of explosives, and many to "tube enough", thanks to these, otherwise in the period of time without artillery support, the Vietnamese army's offensive forces increased several times, and the guns in hand alone could not hold up completely.