The required simulator is shown in the figure
29
黎章点头道：那是自然。
有一些人，看似寻常，却总会遇到一些不寻常的事儿，他们便是所谓的有缘人。有缘人梦中会出现一个神秘的指引，带他们寻找一个神奇的地方，一个叫做“前世今生”的茶馆。“前世今生茶馆”经营这么一种生意，穿越时空，跨越千年，找到那些不寻常事的根源，改变它，从而改变现在的你。而据说这门生意不收钱，收的仅仅是——一滴眼泪。叶隐，从小被茶馆主人司音收养，在出师后，开始了一场场奇妙的时空之旅。
本片改编自日本当代著名作家濑尾麻衣子的同名小说，该小说于2019年荣获“本屋大赏”，横扫日本各大书店，成为平成最后一抹温柔的关照。
The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.
红椒忙道：有一样的，也有不一样的。
Using the professional knowledge we have learned and in combination with the relevant policies, laws and regulations formulated by the state, we have conducted in-depth and practical investigations into the farmers' understanding of "protecting their legitimate rights and interests". There are three major topics in the research:
自己那无可辩驳的寒碜现状暴露无疑，
Osaka Weaving House Star Product "Little Black Pants"
原著小说中，周芷若秀若芝兰、冰雪出尘，但这部电影里，周芷若的形象截然不同。
Before the match, lots will be drawn to determine the number of matches. The participants will tie up the ropes themselves. The referee will arrange the positions and supervise.
When Gu Xixi entered the league again, there were already tens of thousands of spectators-which was inseparable from the total population of the stars-but Gu Xixi had neglected so much.
Fine wine
为了保护这一切，乐乐只有行动起来……
两个热血高中生在同一天转学，并且不约而同的突然决定在新学校里要开始“嚣张”，所以两人决定改变髪型，刚好又在两间相邻的理髪院“变型”，这也是他们相识的开始。在新学校里，两人被分配到同一个班级，一山不容二虎。满头金毛在高中校园里是最酷也最棒的！金毛“三桥贵志”是一个为搞笑耍贱玩卑鄙而无恶不作的家伙！而长长的刺猬头有着很强的杀伤力，穿着订作风衣式的制服上学是最威风的，刺猬头“近藤真司”是个血性汉子，并不打无谓的架，常常被老奸巨猾的贵志利用而不自知，但也风靡了许多高中少女的心。总之，既来之则安之，要嚣张就要做到最嚣张的！但接着而来的是不良少年们的挑战，也引发了一连串的爆笑事件！
本作は、2018年に放送された連続ドラマ「シグナル 長期未解決事件捜査班」の続編。3年ぶりの新作となる今作でも、現在を生きる刑事?三枝健人を坂口が、謎の無線機でつながる“過去”の熱血刑事?大山剛志を北村一輝が演じる。本作では、原作の韓国ドラマ「シグナル」でも特に人気が高いストーリーを映像化。2018年版の最終話直後から物語がスタートし、それから2年後の2020年に、「20年前に自殺したはずの恋人を探してほしい」という男の依頼を受け2人がある事件を追っていく。
道：晓得耍嘴皮子就好。
周骏和段蓉是一对大龄青年，俩人新婚不久，周骏妈妈从乡下来到了城里，因为城乡生活观念的差别，一下子打破了原本平静甜蜜的二人世界，引发了一系列家庭生活、亲情道德的冲突纠葛，随着周骏妈妈车祸突然去世，夫妻关系一下子陷入破裂的边缘。善良的妻子段蓉努力想以自身真诚的爱与付出挽回幸福的婚姻，而丈夫周骏却怎么也摆脱不了母亲去世的心理阴影，始终难以面对妻子的真挚情感。周骏的事业面临着竞争对手骆志明的破坏。为了自己的事业，更为了给自己的爱人和家庭留下一个圆满的生活环境，他刻意隐瞒自己的肝癌病情，因此使段蓉伤心欲绝，始终没有将自己怀孕的消息说出来。周骏入院弥留之际，终于抱住了刚刚诞生的儿子。
